Chinese Guzheng with Melody Yan

Featured story

Melody Yan celebrates sounds of ancient Chinese culture through the guzheng

We all hear so many songs and sounds inspired by ancient instruments passed down from generation to generation as we simply move through our daily lives. It feels important to take a step back to celebrate the cultures these sounds came from and the instruments their people built to bring them to life.

Although relatively unknown in the West, the guzheng is as revered as the piano of Asia, according to instrumentalist Melody Yan. It’s the parent instrument of the long zither family with more than 2,500 years of history.

Yan was born in Chengdu, Sichuan, China and started learning the guzheng with a famous Guzhengold master at the age of nine. Performing since the age of ten, she won many youth competitions. She went on to become the first guzheng musician to appear on American TV, publish four albums, and perform for several prestigious events around the world.

There are many techniques of playing the guzheng, with some creating sounds that can evoke the sense of a cascading waterfall, thunder, the scenic countryside, and lush landscapes. At times, the instrument sounds like a harp-sitar hybrid, yet uniquely identifiable with its own melodic qualities.

The various styles or schools of playing the guzheng are identified by region. The two broad schools are northern (associated with the Henan and Shandong regions) and southern (associated with the Chaozhou and Hakka regions of eastern Guangdong). In Chinese classical music, central pieces of work composed on the guzheng include "Gao Shan Liu Shui" ("High Mountains Flowing Water") and "Han Gong Qiu Yue" ("Han Palace Autumn Moon") from the north. And "Han Ya Xi Shui" ("Winter Crows Playing in the Water") and "Chu Shui Lian" ("Lotus Blossoms Emerging from the Water") from the south.

The construction of the guzheng is as elegant as its sound. Its main body is made up of a rectangular hollow wooden box, with the top surface protruding to a certain degree. The strings lie on top of the body tied across the two bridges at its ends. These sounds were recorded on AKG C414s through Avedis MA5 preamps.

Companion Packs

Koto with Sumie Kaneko

Sumie (Sumi-é) Kaneko creates music that spans a millennium as a master in the traditional repertoire of the ancient instrument, koto. She also pioneered the use of the koto ...

Japanese Shamisen and Vocals with Sumie Kaneko

As a follow up to her koto pack, Sumie Kaneko is sharing the sounds of the Japanese shamisen, along with a broad range of vocals. She started playing the three-string shamise...

Angelic Harp with Erin Hill

The harp is a beautiful, multi-faceted instrument that offers many different moods for a wide variety of productions. It can add a calmness, drama, darkness, an airy lightnes...

Palestinian Roots with Zafer Tawil

Jerusalem-born and Brooklyn-based Zafer Tawil is an accomplished Palestinian musician who specializes in the oud, ney, vocals, violin, qanun, and Arabic percussion. Tawil per...

Flutes of Japan with Kaoru Watanabe

As a follow up to Kaoru Watanabe’s Japanese Percussion pack, he returns to Splice sharing with all of us the mystic sounds of Japanese flutes. After spending a decade in Japa...

Indian Roots

Recorded on location, this pack is the culmination of several sessions with folk musicians in the south of India. Splice Originals: Indian Roots faithfully captures the many ...

Indian Roots Vol 2

In this second volume of sounds, the Splice Originals team, in collaboration with Roundtrip Music, has continued to faithfully capture and share the rich tapestry of Indian m...

Turkish Roots

Take an expedition through the rich sonic landscape of Turkey and parts of Egypt and Iran led by Istanbul Music Conservatory-trained musicians. The trio played traditional tu...

Hammer Dulcimer with Max ZT

Lauded as the “Jimi Hendrix of hammered dulcimer" by NPR, and a "force of nature" by NY Music Daily, Max ZT is an innovator of the instrument. Taking his roots from classical...

Flutopia: Soul Flutes

For Anders Bostrom's second Splice pack, he focused on soulful jazz flute stacks and loops. He used the C flute (the standard concert flute) and bass flute to get an extended...

Flutopia: Bamboo Flutes

If you love collecting unique sounds, this pack is a dream come true. Flutes such as the bamboo flute are made in only one key. Such limitations drove Anders Bostrom to becom...

Imdadkhani Sitar with Abhik Mukherjee

Renowned Indian sitar player Abhik Mukerjee demonstrates a comprehensive collection of sitar artistry. We recorded his arresting performance with a Bock 47 - Great River to ...

Loading...